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“What we have in America, in broad strokes, is this celebration of individualism and cowboys and the self-made man and all that,” he said. In the end, Soth was impressed by the multitude of ways Americans still seek to connect with each other in the flesh. Soth said the project gave him a chance to call up “that America of the past when people used to read newspapers and have songs in common, even though that’s a bit of a fantasy.” Songbook’s title riffs on the idea of the “Great American Songbook,” and uses only the photographs from those travels. In the seven installments they’ve made of The LBM Dispatch, they’ve chronicled regions such as upstate New York the Silicon, San Joaquin, and Death valleys of California and the “megapolitan” area of Texas known as the “ Texaplex.” They avoided well-documented places like New York City and Los Angeles in favor of cities and small towns in the middle of the country. They spent about two weeks in each state. Soth and writer Brad Zellar decided to “report” on about a dozen states and publish their accounts in a play on the newspaper called The LBM Dispatch. Soth thought about the way community newspapers stay in sync with the regular pulse of a town, documenting the actions of local leaders, sports teams, and hobbies. Soth, who is based in Minneapolis, said he was looking to reconnect with the world around him after his last project, Broken Manual, which followed survivalists, hermits, and other men who wanted to run away from society. “We talk about the country as being all malls and everything is TGI Fridays and generic, but if you go in the back of TGI Fridays and talk to the cook for a while, it gets more interesting,” he added. That’s true of much of America, and it’s kind of a relief.” “We’re all a little bit weird once you get in there. “If you talk to anyone enough, they end up being weird,” he said. Making Songbook, Soth said, reaffirmed his affection for Americans’ regional quirks. The three-year project turned into the coffee-table book Songbook, with related exhibitions at San Francisco and Minneapolis art galleries. He even visited a convention of independent horror moviemakers outside of Cleveland. So, like a community newspaper photographer, he dropped in on Loyal Order of the Moose lodges, local dances, family reunions, and megachurches across America. In 2012, photographer Alec Soth decided he wanted to study the way that Americans gather. Only Reggie's grandmother Ivy (Gemma Jones) encourages his musical talent, and soon the middle - school Reggie (Kit Connor) is breaking out of classical piano music into rock and roll with "Saturday Night's Alright for Fighting." Taupin's lyrics have a cocky, exuberant, rough feel but they're polished and thoughtful, too. Young Reggie sings, "I want love," the mother adds, "But it's impossible." The icy father, a veteran of the recent war, who will bolt from the family as soon as he can, sings, This is what I first loved in Sondheim's Broadway musicals: the characters' expressions of different feelings layer on top of each other, building to a unified statement, the thesis for the movie. Reggie in his early teens (Kit Connor), his mother, his father, and his grandmother all take lines of a lyric "I Want Love," Taupin's 2002 collaboration with Elton John. Like any classic Broadway show, there's an "I want" song. No sooner does Elton begin to tell about his childhood than his own five - year - old self (Matthew Illesley) leads him to his old neighborhood where everyone dances to "The Bitch is Back." The musical number instantly clarifies his family's social milieu and time, while the lyric states the salient fact of young Reggie Dwight's life, that his mother never wants him around, and never wanted him at all. We see a glittery Satan stalk into a group therapy session and, defensively, arrogantly, introduce himself as Elton John (Taron Egerton), addicted to you - name - it: drugs, alcohol, food, sex, and shopping. The movie's writer Lee Hall and director Dexter Fletcher teach us early on how the songs will tell the story. So as soon as I look at the lyrics, visually, I can see what's going on." ( Elton John interview on Fresh Air) Rocketman proves EJ's point. Taupin "always has been a very cinematic storyteller in his lyrics," Elton John told Terry Gross in 2013. Bernie Taupin, "Saturday Night's Alright for Fighting" (1973) Saturday night's alright alright alright. "The sun has been quite kind" to the writer, but "It's for people like you / that keep it turned on." Is the sun like a person, or like a light bulb? Is it God who keeps it turned on, for people like you? And what's happening during rainy days and night time? Taupin mangled his idea, here.īut now that I've seen Rocketman, and I've had Taupin's lyrics with EJ's music replaying in my head for a week, I'm re-evaluating. For example, inchoate ideas in "Your Song" hang awkwardly - "If I was a sculptor / But then again, no." - and halt - "Anyway, the thing is, what I really mean / Yours are the sweetest eyes I've ever seen" - while "words" and "world" end the chorus as if Taupin intends them to rhyme. A year after I saw Elton John's 1973 concert in Atlanta's Braves Stadium, I fell in love with diamond - sharp dramatic lyrics of Broadway composer Stephen Sondheim (see what I learned from him, ).īernie Taupin's work in comparison seemed rough - hewn, even careless. I send my best wishes to ESA and all the crew, and my thanks for keeping those boyhood dreams alive.Characters' singing Taupin's lyrics to each other also makes this a musical, an art form anathema to so many Americans that Paramount calls it a "fantasy." I embrace the "M" word. “Now, 40 years later, it’s amazing to hear from the astronauts at the European Space Agency that they like the song and that it has been on the playlist on the International Space Station. It was thrilling to find that real astronauts liked our song, Rocket Man, which was about an imaginary astronaut. “Not long after the Rocket Man single was released, my band and I were invited to the NASA headquarters in Texas and shown around by Al Worden, Apollo 15 command module pilot. ‘Rocket Man’ - and indeed ‘Dan Dare’ on the Rock of the Westies album - came from those boyhood dreams of travelling beyond the stars and looking back on Earth. “Our generation was smitten with the glory and excitement of space travel. Bernie and I did not meet until 1967, and two years after we met, Neil Armstrong became the first man to step on to the moon. I was 14 years old when Yuri Gagarin became the first man in space my songwriting partner Bernie Taupin was just 11. Sir Elton said, “When I was a boy Dan Dare was a comic book hero, and space travel just a romantic idea, not a reality. The included crossword puzzles are designed to be solved in a single solving session and all puzzles include free Hints and the option to Show Errors, at any time, for free.Įmail us at should you have any issues with the app. These all-new puzzles arrive each month and range from Easy to Hard difficulty.
In January 2010, at the Lazy E Arena in Guthrie, Oklahoma, Bigfoot, driven by Rodney Tweedy, was reaching its final moments of freestyle, when the truck took a sharp, right-hand turn and tilted on its two left wheels. Photos can be found on Dennis Taft's site. It struck a few spectators, but luckily nobody was critically injured. Jolly would later return to driving, but retired by the end of the 2008 season as a long-term result of the injury.īig Boss was involved in an accident where the throttle stuck and crashed through the dining pavilion at a fairground event. The impact resulted in driver Courtney Jolly sustaining an injury requiring her to be assisted out of the truck. It landed hard on both right tires and broke the sway bar in the process. In Detroit 2008, 106.7 The Fox (Which was run on the Pastrana 199 chassis for the event) hit the middle racing obstacle with high speed, resulting in the truck leaping high into the air and leaning over onto its right side.
Night shift differential is a part basic pay. The night shift differential is paid for the entire shift when the majority of hours fall within the specified periods. "Majority of hours" means a number of whole hours greater than one-half (including meal breaks), e.g., 5 hours of a scheduled 8 hour shift. Night Work HoursĪ prevailing rate employee is entitled to a night shift differential when the majority of hours worked during a regularly scheduled nonovertime shift occur in either of these two shifts: Shift Hours Overtime hours do not count toward an employee's entitlement to receive a night shift differential. This generally means work scheduled before the beginning of the administrative workweek. Night shift differential is paid for regularly scheduled work performed at night. 5545(a) and How to Compute FLSA Overtime Pay.) Regularly Scheduled Work Note: General Schedule employees are covered by a separate night pay authority. 5342(a)(2) is covered by the night shift differential provisions. Employee CoverageĪn individual who meets the definition of "prevailing rate employee" in 5 U.S.C. It is computed as a percentage of the employee's rate of basic pay. Night shift differential means the differential paid for work performed when the majority of a prevailing rate employee's regularly scheduled nonovertime hours fall between 3 p.m. Voluntary Separation Incentive Paymentsįact Sheet: Night Shift Differential for Federal Wage System Employees Description.Recruitment, Relocation & Retention Incentives. Federal Labor-Management Information System.Federal Workforce Priorities Report (FWPR).Frequently Asked Questions for Hybrid Work Environment.Diversity, Equity, Inclusion, and Accessibility.Selective Placement Program Coordinator.General Schedule Qualification Standards.General Schedule Qualification Policies.Classifying Federal Wage System Positions. In order to build input files for NAMD, we will need a pdb file giving the initial coordinates. We will now go through the process of building a NAMD input files from scratch. In our introductory tutorial all we had to do was launch the job. Tells the cluster how to run the NAMD job and how many cores to use. Sbatch_batchfile - a script file to launch the job on the cluster depending on the scheduler used (i.e. It is used by NAMD to run the simulation, basically a list of all the bonds, angles, dihedrals, improper and VdW terms. (there are different types of these depending on the classes of molecules you have in your model, such as lipids or DNA). Par_all27_prot_na.par - a parameter file. This has to be the same order as the psf file. The actual starting coordinates of the models. A list of the atoms, masses, charges and connections between atoms. To run a molecular dynamics simulation on a cluster, the minimum files we need are: In the previous introductory tutorial we simply launched a short job on the cluster that already had all the required input files to simulate a ubiquitin protein molecule in solution. 2 - NAMD overview ¶ a) Recap: what we’ve done so far ¶ Tip: in conjunction with this tutorial there are some excellent NAMD tutorials available that are worth working through. It is assumed that the user has a basic command of visualization programs such as VMD and has had at least some experience launching and retrieving example tutorial jobs to the cluster, as shown in our introductory molecular dynamics tutorial. The aim of this tutorial is to give more advanced lessons in setting up and preparing molecular dynamics jobs for submission to the HPC cluster. Tutorials created by Mike Kuiper, edited by Thomas Coudrat. Note: this tutorial describes the use of Snowy, but all these steps can be carried out on Barcoo by substituting every instance of snowy for barcoo. Login on, select ‘Software agreement’, ‘Add software’, ‘NAMD’. Users are required to agree to these requirements to use NAMD on the Melbourne Bioinformatics HPC clusters. Important: NAMD has specific licencing requirements. Please bring along your laptops with the following installed before arriving: If you are not familiar with using the command line, please also attend the Introduction to Unix workshop. It is recommended that participants attend Introduction to High Performance Computing prior to this workshop. This workshop is intended for scientists interested in learning the basics of running molecular dynamics on a HPC cluster.
I spent many years after school accompanying my mother on her job sites and studio. Having grown up around strong female role models (mother and grandmother) that are both practicing Architects and Designers even today, has been an important part of this journey. If you would like to learn more about Rost Architects or tell us about your project, contact us by clicking here.I look forward to learning more about you! In the meanwhile, a little about me and my background…. We’ve seen the positive outcomes of this method and highly recommend it to all of our clients. In our eyes, this structure is by far the superior way to run a project. If the cost of the home is exceeding the owners budget we can make surgical and clever adjustments to the architectural or interior that will allow to owner to stay within a comfortable cost range and have a completed home at the end of the project. It can also result in a low quality interior or no interior at all because the clients ran out funds. In projects where the interior design is not figured out until later in the project, the owner will not be aware of these costs and can easily result in the project going overbudget. They know the interior finishes, casework details, ceiling details, lighting, shading systems that will be used in the home and can put firm numbers on the costs of these items. The more developed, specific and thorough, the more accurate the bids. The level of detail and precisions in the drawings will influence how accurately contractors will be able to price the cost of a project. Starting interior design early in the project, allows us to create a highly developed and thought through set of documents for the Contractor to bid when it comes time to build the project. We produce one set of drawings for pricing which includes the architectural and interior design documents. The client will know exactly what their home will look like and thus help reduce changes in the field. We can “fly” the client through the interior of their home and get approvals on all the spaces prior to going into construction. This tool is especially helpful when working through the interior design. We use realistic 3D modeling software to walk the client through the home. Our two teams work together from the conception of the project making sure the entire building is exceptional from both an architectural and interior design perspective. This results in project delays, change orders and often re-engineering. We’ve seen many projects where the interior designer is hired late in the project and requests significant floor plan changes while the building is being built. The owner has peace of mind knowing that our two teams are coordinating closely together and they know they do not need to be the middle man coordinating the two groups.īecause both of our teams are working from one model file and are communicating from the beginning of a project, more issues can get ironed out earlier in the process resulting in fewer changes during construction. All of these selections can be made in one meeting which helps increase productivity and save time on the project. If we make decisions with the owner on exterior materials, these will directly influence material selection on the interior. At project meetings we discuss all aspects of the design and the conversations are not limited to either the interior or exterior. The owner contacts one team for the design of their home. One Point of Contact - Removing the Communication Gap Design decisions are often made with a collaborative review of both departments. Our teams share models, material specifications, drawings and review the same products together as one unit. At our office, natural collaboration and crosspollination between disciplines occurs as a result of physical proximity. When the architecture and interior design are done under one roof, we feel that a more refined design can be achieved. This is often a result of two different design visions and a lack of communication between the parties and it makes the experience of the home feel unpleasant. We’ve been in many homes where you can feel the disjunction between the interior design and exterior architecture. The indoor and outdoor spaces should flow seamlessly together with one cohesive design aesthetic. The exterior of the home including the gardens, pools and courtyards, should not feel foreign to the interior. We approach the design of our homes in a wholistic manner and feel that the design continuity between the interior and exterior of our homes is critical. Continuity of Design from the Interior to the Exterior This feature lets the chair recline to a position that distributes your body’s weight, decreasing the stress on your joints, and giving you an impression of being weightless. One of the best characteristics that is unique to one of the most notable features in Serenity 2D Zero Gravity Massage Chair is its zero gravity function. Principal Features that are part of Serenity 2D Zero Gravity Massage Chair Zero Gravity Technology It relieves muscle tension, encouraging relaxation and overall wellbeing. It utilizes the latest technology and a 2-D massage mechanism that targets certain parts of the body. The chair’s design is created to replicate the techniques employed by professional masseurs, delivering an intense and deeply satisfying massage experience. The Serenity 2D Zero Gravity Massage Chair is a top-of-the-line relaxation and wellness product that brings the comfort of a spa experience to your home in the comfort of. 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We will review the role of nutrition and how it interacts with the expression of genes to create the conditions thatmight lead to the development of myopia. There are several factors that have been explored as potential environmental contributors to myopia development, including the spectrum of exposed light, outdoor time, circadian rhythms, spatial frequency characteristics of written material, vitamin levels, dietary intake, physical activity, excessive near work, intraocular pressure, form deprivation, and binocular vision disorders. Numerous studies have demonstrated that near work is related to myopia however, all individuals in industrialized countries must do regular near work during childhood education, yet only a certain percentage of the population ultimately develops myopia. It is becoming more apparent that myopia is not only a benign refractive error but also has long-term medical and visual consequences, yet little attention has been paid to the possible role of nutrition in the development and advancement of myopia. However, the interaction of these 2 components to create refractive error remains speculative. The rise in the prevalence of myopia has been too rapid to be explained by genetic factors alone and thus suggests a substantial role of environmental influences. Economic price with advanced features and diagrams such as flowchart, charts, ArchiMate, BPMN, AWS, network diagram, PERT, mind map, SWOT, Value Chain.Within the eyecare community, there is a predominant consensus that the cause of juvenile onset myopia-a significant worldwide public health concern-involves both genetic and environmental elements.Support UML, ERD, Organization Chart and Floor Plan. 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